Jane Coop says “Farewell” to UBC

As her final concert at UBC after 32 years as a full-time faculty member, Jane Coop invites musical friends and colleagues to perform with her in works by Chopin, Brahms, Ravel and Fauré . Jane Coop, distinguished university scholar at UBC, and faculty member of the UBC School of Music since 1980, is leaving to embrace her performing career full-time. A concert with friends and longtime colleagues marks the end of her academic teaching career.  She’ll be joined by Robert Silverman and Terence Dawson, piano; Lucy Chapman, violin; Doris Lederer, viola; and Antonio Lysy. One of Canada’s most prominent and distinguished artists, Jane Coop was born in Saint John, New Brunswick and grew up in Calgary, Alberta. At the age of nineteen she won First Prize in the CBC’s national Young Performers Competition, and this, along with prizes at New York’s Kosziusko Foundation Competition and the Washington International Competition, launched her career and led to early invitations to debut at Wigmore Hall in London England and Carnegie Recital Hall. She has performed in over twenty countries as a recital soloist, chamber musician and concerto soloist. Her 15 recordings have been heard on the CBC, NPR, BBC, RTHK (Hong Kong) and KRO (Netherlands) Radio networks. An extended biography and discography is available at www.janecoop.com

4:00 p.m. May 26, 2012  Barnett Hall, 6361 Memorial Road UBC.     www.music.ubc.ca

Info/Tickets: 604.822.9161


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United Players: London Assurance

Before Oscar Wilde there was Dion Boucicault, another witty Irish playwright, whose “London Assurance” was one of his great successes. It bears a striking resemblance to Wilde’s “The Importance of Being Earnest,” with a cast of fashionable Londoners trying to get the best for themselves, which of course includes marrying a beautiful, rich and much younger woman.

8:00 p.m. Thursday – Sunday   June 1 to 26   Jericho Arts Centre, 1675 Discovery St.  unitedplayers.com

 

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Shamisen & Odori: The Music and Dance of Kabuki

Tomoe Arts brings two artists from Japan to share their mastery in the art of kabuki music and dance in an intimate 120-seat studio.  This is a remarkable chance to see and hear live kabuki music and dance in its purist form – in an intimate setting with simple set and kimono.  Shamisen & Odori: The Dance and Music of Kabuki features male-form dancing focusing on “Edo” or early Tokyo characters and culture, and on narrative Tokiwazu-style music. Through music and dance you will meet warriors, angels, men-about-town, courtesans and drunken revelers – the heart and soul of kabuki!

8:00 p.m. May 12   2:00 p.m. May 13 

SFU Centre: Djavad Mowafaghian World Art Centre

http://sfuwoodwards.ca/index.php/events/details/shamisen-odori-the-music-and-dance-of-kabuki    

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Songfire Festival of Song

Get ready for another thrilling month of soaring melody, stimulating dialogue and celebratory festivities and masterclasses.   From June 3 to 24, 2012 at UBC and various Vancouver venues the festival gathers local and international artists and scholars to celebrate and study the dynamic fusion of music and poetry that is Art Song. “Song is one of the most fundamental forms of expression. It’s the way we share our life experiences across generations – from lullabies to love songs, in ritual and in celebration, across all cultures since forever – humanity sings its stories,” says Rena Sharon, Artistic Director of VISI. “SONGFIRE Festival of Song opens its doors to everyone throughout the month of June in celebration of Art Song. Art Song ignites words and hearts through the power of soaring voices and beautiful piano landscapes.” Here’s a sample of what’s in store. Playing with Fire (June 8, 8pm at The Orpheum Annex): Duos of singers and pianists perform an evening of world premieres created by composer and poet teams from SONGFIRE’s Art Song Lab.

Songs of Here & Now (June 9, 8pm at UBC’s Roy Barnett Recital Hall): A selection of works by BC composers, including Leslie Uyeda, Lloyd Burrit, Jean Coulthard, and more.

Close Encounters (June 10, 8pm at West Vancouver United Church): VISI heads to the North Shore for an intimate programme of vocal chamber and choral music. Featuring special guest performers EnChor, conducted by Diane Loomer.

Arts of Conscience Symposium & Film Series (June 11-16 at The VanCity Theatre): A week-long retreat features day-time workshops and sessions with community artist activists. Five evenings of lectures (at 5:30pm) will be presented by internationally renowned activists in arts for social change, followed by selected films featuring the power of arts in transforming communities. Session leaders include choreographer Judith Marcuse, Order of Canada Officer Max Wyman, Headlines Theatre Director David Diamond, and Music Therapy of Association of BC President Susan Summers.

Sir Thomas Allen in Concert (June 13, 8pm at UBC’s Chan Centre): Master of the Art Song genre and ‘Britain’s favourite baritone’ presents an immensely moving evening of Art Song fare, including much-loved English repertoire, works by Schubert and Beethoven, and a rare selection of Northumbrian folk arrangements. Joining Allen is pianist Joseph Middleton, hailed by The Times as, ”the cream of the new generation”.

Harold Brown Tribute Concert (June 19, 8pm at Unitarian Church of Vancouver): VISI honours the spirit of one of Vancouver’s most beloved Art Song advocates with a moving evening of song. Featuring baritone Tyler Duncan and pianist Erika Switzer.

VISI at the Waterfront (June 24, 8pm at The Waterfront Theatre): Featuring the premiere of ‘Seaworthy,”- a new SONGFIRE Theatre work with songs from across two centuries, script by Brenda Sparks, directed by Dr. Gayle Shay, inspired by the mystery of the ghost ship ‘Mary Celeste’. Also on the program, a powerfully staged performance of Composer Thomas Pasatieri’s Monologue from ‘Lady Macbeth’.

Full details and tickets for 2012 SONGFIRE Festival of Song tickets are at www.songfire.ca.

 

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Arts Club: High Society

The swellegant musical comedy. Snappy dialogue and Cole Porter tunes—such as “Who Wants to Be a Millionaire?” and “True Love”—abound in this sparklingly funny musical. Wealthy socialite Tracy Lord (Jennifer Lines) is planning a lavish second wedding, but which man will she marry? Her straight-arrow fiancé (Steve Maddock) or the undercover reporter from the society pages (Daniel Arnold) or her dapper ex-husband (Todd Talbot)? Needless to say, it’s complicated—and Tracy has only hours to sort it out!  The stage musical High Society is based not only on the highly successful 1956 film starring Frank Sinatra, Grace Kelly, and Bing Crosby, but also on the 1939 play that inspired it, The Philadelphia Story. The latter was made into an Academy Award–winning film of the same name in 1940 and boasted the all-star cast of Katharine Hepburn, Cary Grant and Jimmy Stewart.

The work of composer and musician Cole Porter (1891–1964) resonates throughout Western popular culture. His oeuvre includes countless pop standards and his musicals are often revived or reinvented on Broadway. He is recognized as a key contributor to the Great American Songbook with a flair for punchy, complex rhymes and rhythms. High Society incorporates the songs that Porter wrote expressly for the 1956 film, but also introduces some of his other famous works, such as “Let’s Misbehave” (1927, popular song) and “Ridin’ High” (1936, from Red, Hot, and Blue).

The Arts Club’s Artistic Managing Director Bill Millerd, who will direct High Society, explains the songwriter’s enduring popularity: “Cole Porter was writing during the heyday of Broadway and movie musicals. His lyrics are witty and his music tuneful—a great combination. His songs also stand alone, perhaps made most famous by Frank Sinatra recordings with Nelson Riddle arrangements. Porter writes about subjects we can all relate to, which make his songs timeless.”

May 10 to June 24  Stanley Industrial Alliance Theatre 

www.artsclub.com 

 

 

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